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The monuments at Abu Simbel were practically unknown in the Egyptological world until Johan Ludwig Burckhardt visited the site in 1813 when he saw the upper part of a temple façade almost covered by sand. Giovanni Battista Belzoni visited the site shortly afterwards in 1817 and discovered the entrance door. Since that time many adventurers have been struck by the awe-inspiring façade of the temple built by Rameses II around 3000 years ago with its giant colossal statues of the king sculpted from the mountain rock. | |
The Great Temple of Rameses II | |
The façade of the Temple of Rameses II is dominated by four colossal seated statues carved out of the cliff face, each 20m high and depicting the king, with Nubians carved in the base at his feet. The faces of the statues appear to show Rameses in different stages of his life, although it is thought that the temple was built quite early in his reign. The figures are immense when you are standing at their base looking up at them. Rameses the Great obviously did not want to be forgotten when he built this Nubian Temple. The second rock-cut temple at Abu Simbel lies close by to the north of the Great Temple and is similar in plan but on a smaller scale. It was built in honour of Rameses' Great Wife and most favoured of his consorts, Nefertari. This smaller monument is dedicated to the goddess Hathor. The façade of the temple shows Nefertari on each side of the entrance standing between two colossal 10m statues of Rameses, again with smaller images of royal children at their feet. Never before had a queen been depicted alongside her husband and on the same scale, on the façade of a temple. The temple interior is very simple and built on a much more human scale than the Great Temple. Scenes on the walls of the pillared hall depict Nefertari taking part in divine rituals with her husband before Hathor and Mut and in the same role as the king. They also show the consecration of Nefertari as divine queen. There are traditional scenes of the pharaoh Rameses II in his warrior role of slaying captives. Six square pillars set in two rows and crowned with Hathor heads give a very gentle and feminine feel to the monument. In the sanctuary at the rear of the temple a statue in high relief seems to grow out of the rock wall, showing Hathor as the sacred cow-goddess emerging from the Western Mountain. Chambers open to the north and south of the Vestibule with colourful scenes showing Hathor on her sacred barque. The side chambers have a cave-like feel, being carved from the mountain rock |
Sunday, July 20, 2008
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